當代藝術 | 朝代畫廊 Dynasty Gallery | Taipei

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夏日特調2026

Summer Sips 2026

2026.08.29 - 10.24

地點 Venue|朝代畫廊 (台北市大安區樂利路43號)

展出藝術家 Artists|

草間彌生、村上隆、朱銘、林餘慶&魏杏諭、曾上杰、許仁蕙

Yayoi KUSAMA, Takashi MURAKAMI, LIN & WEI, TSENG Shang-Jie, HSU Jen-Hui

展覽介紹 Exhibition Intro

草間彌生《檸檬水》

草間彌生《檸檬水》

林餘慶&魏杏諭《BIG BOY》

林餘慶&魏杏諭《BIG BOY》

許仁蕙《廟》

許仁蕙《廟》

草間彌生《檸檬水》

草間彌生《檸檬水》

1/6

獲得眾多好評的《伏流：李岳凌個展》將展至本週六結束，離閉展僅剩最後三天，歡迎您把握時間來觀展。藝術家李岳凌將於6/26(五)、27(六)下午三點後在現場為大家解說作品唷！
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌 @yehlinlee

獲得眾多好評的《伏流：李岳凌個展》將展至本週六結束，離閉展僅剩最後三天，歡迎您把握時間來觀展。藝術家李岳凌將於6/26(五)、27(六)下午三點後在現場為大家解說作品唷！
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌 @yehlinlee

日本知名攝影書出版社赤赤舍創辦人姬野希美博士，以及國立臺灣海洋大學海��洋文創設計產業學系助理教授侯鵬輝博士、藝術家三浦宗民、水島貴大一行人，於昨日下午蒞臨朝代畫廊參觀《伏流：李岳凌個展》，並由藝術家李岳凌@yehlinlee親自導覽展覽與作品。眾人看展之餘，也針對當前臺日兩地的攝影創作發展現況進行交流，彼此分享了許多寶貴的意見。
ㅤ
此外，由李岳凌與赤赤舍合作出版的攝影書〈伏流〉甫運抵臺灣，於新書發表會當天便幾乎銷售一空，畫廊緊急追加數量後，目前庫存亦僅剩個位數。若對本書有興趣的朋友，歡迎與我們聯繫，數量有限，敬請把握！
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

日本知名攝影書出版社赤赤舍創辦人姬野希美博士，以及國立臺灣海洋大學海洋文創設計產業學系助理教授侯鵬輝博士、藝術家三浦宗民、水島貴大一行人，於昨日下午蒞臨朝代畫廊參觀《伏流：李岳凌個展》，並由藝術家李岳凌@yehlinlee親自導覽展覽與作品。眾人看展之餘，也針對當前臺日兩地的攝影創作發展現況進行交流，彼此分享了許多寶貴的意見。
ㅤ
此外，由李岳凌與赤赤舍合作出版的攝影書〈伏流〉甫運抵臺灣，於新書發表會當天便幾乎銷售一空，畫廊緊急追加數量後，目前庫存亦僅剩個位數。若對本書有興趣的朋友，歡迎與我們聯繫，數量有限，敬請把握！
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

近日午後雷雨頻繁，我們很幸運地在上週六迎來一個晴朗舒適的午後，順利舉行了《伏流：李岳凌個展》座談會暨新攝影書發表會。
⠀
身為PHOTO ONE 2025 @photoone.oat評審團特別獎得主，李岳凌@yehlinlee於座談中深入分享《伏流》的創作脈絡，從攝影作品延伸至早期的聲音創作、瑜珈練習，以及身體感知經驗，細緻地梳理視覺、聽覺與體感如何共同形塑其創作方法與觀看方式。沈昭良老師@chaoliangshen也以從旁觀察的角度，回溯岳凌當年在麻豆大地藝術季期間創作《伏流》的源起與歷程，為大家提供了另一條理解作品的路徑，來賓聆聽後在QA時間亦十分踴躍地向兩位與談人提問，現場討論相當熱烈。另外岳凌也同步發表了甫從日本空運抵台的攝影書，吸引許多觀眾第一時間翻閱且收藏。面對大家的熱情，岳凌更即興舉辦簽書會來回應大家的支持，增添了不少互動。
⠀
感謝當天蒞臨的藝術創作夥伴、藏家與畫廊同業，也很高興華梵大學與國立政治大學同學們的參與，與我們共度這個下午。《伏流：李岳凌個展》將持續展至6月27日，歡迎大家把握機會蒞臨參觀。
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

近日午後雷雨頻繁，我們很幸運地在上週六迎來一個晴朗舒適的午�後，順利舉行了《伏流：李岳凌個展》座談會暨新攝影書發表會。
⠀
身為PHOTO ONE 2025 @photoone.oat評審團特別獎得主，李岳凌@yehlinlee於座談中深入分享《伏流》的創作脈絡，從攝影作品延伸至早期的聲音創作、瑜珈練習，以及身體感知經驗，細緻地梳理視覺、聽覺與體感如何共同形塑其創作方法與觀看方式。沈昭良老師@chaoliangshen也以從旁觀察的角度，回溯岳凌當年在麻豆大地藝術季期間創作《伏流》的源起與歷程，為大家提供了另一條理解作品的路徑，來賓聆聽後在QA時間亦十分踴躍地向兩位與談人提問，現場討論相當熱烈。另外岳凌也同步發表了甫從日本空運抵台的攝影書，吸引許多觀眾第一時間翻閱且收藏。面對大家的熱情，岳凌更即興舉辦簽書會來回應大家的支持，增添了不少互動。
⠀
感謝當天蒞臨的藝術創作夥伴、藏家與畫廊同業，也很高興華梵大學與國立政治大學同學們的參與，與我們共度這個下午。《伏流：李岳凌個展》將持續展至6月27日，歡迎大家把握機會蒞臨參觀。
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

📌座談預告
【認知的練習：我的紀虛攝影 | 李岳凌個展座談暨攝影書發表會】
⠀
📸時間 | 2026.6.6 (六) 下午3點
📸地點 | 朝代畫廊 (台北市大安區樂利路43號)
📸與談人 | 沈昭良 @chaoliangshen (華梵大學攝影與VR設計系教授兼主任、Photo ONE 台北國際影像藝術節召集人)、️李岳凌 @yehlinlee (藝術家)
⠀
朝代畫廊即將舉行李岳凌個展座談會《認知的練習：我的紀虛攝影》，本次座談特別邀請台灣重要攝影學者沈昭良教授，與藝術家李岳凌進行對談，從台灣當代攝影的脈絡出發，深入探討《伏流》一展的理念、影像敘事與實踐經驗，分享作品背後的思考脈絡與創作歷程。
⠀
當天李岳凌亦將首次發表由日本知名攝影書出版社赤赤舍(赤々舎)出版的最新攝影書〈伏流 Undercurrent〉。朝代畫廊歡迎您走入《伏流》的影像現場，在表面之中感受潛藏的精神暗流。當我們凝視這些影像時，或許也將意識到，那些來自土地與他人的痕跡，正與我們自身交織，在時間之中持續生成。
⠀
誠摯邀請您撥冗蒞臨。
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

📌座談預告
【認知的練習：我的紀虛攝影 | 李岳凌個展座談暨攝影書發表會】
⠀
📸時間 | 2026.6.6 (六) 下午3點
📸地點 | 朝代畫廊 (台北市大安區樂利路43號)
📸與談人 | 沈昭良 @chaoliangshen (華梵大學攝影與VR設計系教授兼主任、Photo ONE 台北國際影像藝術節召集人)、️李岳凌 @yehlinlee (藝術家)
⠀
朝代畫廊即將舉行李岳凌個展座談會《認知的練習：我的紀虛攝影》，本次座談特別邀請台灣重要攝影學者沈昭良教授，與藝術家李岳凌進行對談，從台灣當代攝影的脈絡出發，深入探討《伏流》一展的理念、影像敘事與實踐經驗，分享作品背後的思考脈絡與創作歷程。
⠀
當天李岳凌亦將首次發表由日本知名攝影書出版社赤赤舍(赤々舎)出版的最新攝影書〈伏流 Undercurrent〉。朝代畫廊歡迎您走入《伏流》的影像現場，在表面之中感受潛藏的精神暗流。當我們凝視這些影像時，或許也將意識到，那些來自土地與他人的痕跡，正與我們自身交織，在時間之中持續生成。
⠀
誠摯邀請您撥冗蒞臨。
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

5月16日下午，藝術家李岳凌於朝代畫廊的最新攝影個展《伏流》正式拉開序幕，作為2025年Photo ONE「專家面對面計劃」獎項得主的延伸活動，岳凌近幾個月皆非常用心地籌劃準備本展。開幕當天相當熱鬧，除了岳凌的親友踴躍捧場、眾多專業人士熱情相挺之外，甚至遠從日本而來的東京工藝大學藝術學部寫真學科小林紀晴教授與私人藏家也特地出席，相信參與開幕的各位貴賓對近幾年堅持完成此創作計劃的岳凌來說，都是最有力的支持肯定。
⠀
另外在6月6日舉行的座談，我們很榮幸地邀請到華梵大學攝影與VR設計系教授兼主任、同時也是Photo ONE台北國際影像藝術節召集人沈昭良Shen Chao-Liang教授與藝術家李岳凌共同對談。當天亦將發表岳凌最新攝影書〈伏流〉，請各位千萬不要錯過！
⠀
On the afternoon of May 16, artist Yehlin LEE officially opened his latest photography solo exhibition Undercurrent at Dynasty Gallery. As an extension of his recognition as the recipient of the 2025 Photo ONE “Portfolio Review Program” Award, Yehlin has devoted tremendous effort over the past several months to preparing this exhibition. The opening was filled with excitement, attended not only by the artist’s family and friends and many supporters from the professional art community, but also by Professor Kisei KOBAYASHI of the Department of Photography at Tokyo Polytechnic University and private collectors who traveled from Japan specifically for the occasion. The presence of all the distinguished guests at the opening was undoubtedly a strong affirmation and encouragement for Yehlin, who has remained dedicated to completing this project over the past several years.
⠀⠀
In addition, for the artist talk taking place on June 6, we are honored to invite Professor Chao-Liang SHEN—Chair and Professor of the Department of Photography and VR Design at Huafan University, as well as Convener of Photo ONE—to join artist Yehlin LEE in conversation. Yehlin’s latest photobook, Undercurrent, will also be officially launched that day. We warmly welcome everyone to join us for this special event.

5月16日下午，藝術家李岳凌於朝代畫廊的最新攝影個展《伏流》正式拉開序幕，作為2025年Photo ONE「專家面對面計劃」獎項得主的延伸活動，岳凌近幾個月皆非常用心地籌劃準備本展。開幕當天相當熱鬧，除了岳凌的親友踴躍捧場、眾多專業人士熱情相挺之外，甚至遠從日本而來的東京工藝大學藝術學部寫真學科小林紀晴教授與私人藏家也特地出席，相信參與開幕的各位貴賓對近幾年堅持完成此創作計劃的岳凌來說，都是最有力的支持肯定。
⠀
另外在6月6日舉行的座談，我們很榮幸地邀請到華梵大學攝影與VR設計系教授兼主任、同時也是Photo ONE台北國際影像藝術節召集人沈昭良Shen Chao-Liang教授與藝術家李岳凌共同對談。當天亦將發表岳凌最新攝影書〈伏流〉，請各位千萬不要錯過！
⠀
On the afternoon of May 16, artist Yehlin LEE officially opened his latest photography solo exhibition Undercurrent at Dynasty Gallery. As an extension of his recognition as the recipient of the 2025 Photo ONE “Portfolio Review Program” Award, Yehlin has devoted tremendous effort over the past several months to preparing this exhibition. The opening was filled with excitement, attended not only by the artist’s family and friends and many supporters from the professional art community, but also by Professor Kisei KOBAYASHI of the Department of Photography at Tokyo Polytechnic University and private collectors who traveled from Japan specifically for the occasion. The presence of all the distinguished guests at the opening was undoubtedly a strong affirmation and encouragement for Yehlin, who has remained dedicated to completing this project over the past several years.
⠀⠀
In addition, for the artist talk taking place on June 6, we are honored to invite Professor Chao-Liang SHEN—Chair and Professor of the Department of Photography and VR Design at Huafan University, as well as Convener of Photo ONE—to join artist Yehlin LEE in conversation. Yehlin’s latest photobook, Undercurrent, will also be officially launched that day. We warmly welcome everyone to join us for this special event.

期待您的蒞臨！

邀請您一同參與《伏流：李岳凌個展》開幕茶會
📸開幕 Opening | 2026.5.16 (Sat.) 4PM
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
⠀
📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良 Shen Chao-Liang
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)

#dynastygallery #yehlinlee #soloexhibition #朝代畫廊 #李岳凌

期待您的蒞臨！

邀請您一同參與《伏流：李岳凌個展》開幕茶會
📸開幕 Opening | 2026.5.16 (Sat.) 4PM
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
⠀
📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良 Shen Chao-Liang
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)

#dynastygallery #yehlinlee #soloexhibition #朝代畫廊 #李岳凌

📌展覽預告 Upcoming
【伏流：李岳凌個展 | Undercurrent: Yehlin LEE solo exhibition】
@yehlinlee
⠀
朝代畫廊歡迎您走入《伏流》的影像現場，在表面之中感受潛藏的精神暗流。當我們凝視這些影像時，或許也將意識到，那些來自土地與他人的痕跡，正與我們自身交織，在時間之中持續生成。
⠀
李岳凌2001年起投入聲音藝術創作，關注人文音景、電子原音與具象音樂，於2006年完成法國國立高等裝飾藝術學院互動媒體藝術工作室後學位研究；2011年起自學攝影並專職創作。對他而言，聆聽、瑜珈、長跑與攝影都是內在覺知的練習——在用力與放鬆之間取得平衡，直至內外界線的消融。他將攝影視為「以視覺與外界共鳴的自動書寫」：在移動與感知之中，使攝影從現象的紀錄，轉化為召喚潛意識的儀式；影像因此成為不可見世界顯影的痕跡。個展包括《Raw Soul》(京都Under-throw，2018)、(東京Place M，2017)、《Frames In-Between》(英國Lewis Elton Gallery, University of Surrey，2014)，曾於台灣、祕魯、中國、香港、日本等地美術館、藝術節展出聯展，並於2025年「Photo ONE 專家面對面計畫」獲評審團特別獎(2025)及首獎(2016)。其攝影書〈Raw Soul〉(2017)、〈伏流 Undercurrent〉(2025) 由日本京都的赤赤舍出版。
⠀
Welcome to the visual field of Undercurrent, where hidden currents beneath the surface quietly emerge. Through these images, the traces of land and others intertwine with our own, unfolding across time.
⠀
Yehlin LEE began his artistic practice in sound art in 2001, focusing on soundscapes and electroacoustic composition. Since turning to photography in 2011, he has regarded the medium as a form of “automatic writing” through resonance with the external world, transforming photography into a ritual that reveals the subconscious. His works trace invisible connections between body, memory, faith, and landscape. Solo exhibitions include Raw Soul and Frames In-Between, while his photobooks Raw Soul (2017) and Undercurrent (2025) were published by Akaaka Art Publishing. He received the First Prize (2016) and Jury Special Prize (2025) at the Photo ONE Portfolio Review.
⠀
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
📸開幕 Opening | 2026.5.16 (Sat.) 4PM
⠀
📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良 @chaoliangshen
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography

📌展覽預告 Upcoming
【伏流：李岳凌個展 | Undercurrent: Yehlin LEE solo exhibition】
@yehlinlee
⠀
朝代畫廊歡迎您走入《伏流》的影像現場，在表面之中感受潛藏的精神暗流。當我們凝視這些影像時，或許也將意識到，那些來自土地與他人的痕跡，正與我們自身交織，在時間之中持續生成。
⠀
李岳凌2001年起投入聲音藝術創作，關注人文音景、電子原音與具象音樂，於2006年完成法國國立高等裝飾藝術學院互動媒體藝術工作室後學位研究；2011年起自學攝影並專職創作。對他而言，聆聽、瑜珈、長跑與攝影都是內在覺知的練習——在用力與放鬆之間取得平衡，直至內外界線的消融。他將攝影視為「以視覺與外界共鳴的自動書寫」：在移動與感知之中，使攝影從現象的紀錄，轉化為召喚潛意識的儀式；影像因此成為不可見世界顯影的痕跡。個展包括《Raw Soul》(京都Under-throw，2018)、(東京Place M，2017)、《Frames In-Between》(英國Lewis Elton Gallery, University of Surrey，2014)，曾於台灣、祕魯、中國、香港、日本等地美術館、藝術節展出聯展，並於2025年「Photo ONE 專家面對面計畫」獲評審團特別獎(2025)及首獎(2016)。其攝影書〈Raw Soul〉(2017)、〈伏流 Undercurrent〉(2025) 由日本京都的赤赤舍出版。
⠀
Welcome to the visual field of Undercurrent, where hidden currents beneath the surface quietly emerge. Through these images, the traces of land and others intertwine with our own, unfolding across time.
⠀
Yehlin LEE began his artistic practice in sound art in 2001, focusing on soundscapes and electroacoustic composition. Since turning to photography in 2011, he has regarded the medium as a form of “automatic writing” through resonance with the external world, transforming photography into a ritual that reveals the subconscious. His works trace invisible connections between body, memory, faith, and landscape. Solo exhibitions include Raw Soul and Frames In-Between, while his photobooks Raw Soul (2017) and Undercurrent (2025) were published by Akaaka Art Publishing. He received the First Prize (2016) and Jury Special Prize (2025) at the Photo ONE Portfolio Review.
⠀
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
📸開幕 Opening | 2026.5.16 (Sat.) 4PM
⠀
📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良 @chaoliangshen
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography

📌展覽預告 Upcoming
【伏流：李岳凌個展 | Undercurrent: Yehlin LEE solo exhibition】
@yehlinlee
⠀
在拍攝過程中，藝術家回望自身生命的轉折，進而意識到個體經驗與土地歷史之間的深層連結。《伏流》因此指向一種集體性的「疤痕結構」：累積的創傷在時間中轉化為信仰，並成為維繫群體的精神力量。河面上的日常與河面下的無形流動彼此交織，呈現出一種不穩定卻持續運作的內在平衡。詩人吳俞萱認為，《伏流》的關鍵在於重新看待「表面」。李岳凌透過貼近物件、壓縮空間的方式，讓影像不再只是用來說故事，而是讓畫面本身就成立。像血痕、剝落的顏料或懸掛的物件，看似靜止，卻隱含著內在的變化與力量，在穩定與崩解之間形成張力。在影像的安排上，《伏流》不走線性敘事，而是透過畫面之間的呼應與連結，形成一種類似夢境的觀看經驗，讓觀者可以自由感受與理解。相較於〈Raw Soul〉偏向象徵的表現方式，《伏流》更直接面對事物本身，強調「看到的就是它本身」，也進一步回應了我們如何觀看、記憶與理解世界的問題。
⠀
Throughout the process, the artist reflects on his own life’s turning points, recognizing a profound connection between personal experience and the historical memory embedded in the land. Undercurrent thus points to a collective “structure of scars,” where accumulated trauma transforms into belief and becomes a sustaining spiritual force. The visible surface of everyday life and the invisible currents beneath it intertwine, forming a dynamic yet fragile equilibrium. Poet Yu-Hsuan WU suggests that the essence of Undercurrent lies in rethinking the notion of “surface.” By compressing space and moving close to material details, LEE allows the images to stand on their own rather than merely narrate. Blood traces, peeling paint, and suspended objects may appear still, yet they carry an inner movement, holding tension between stability and collapse. The sequencing of images follows a non-linear structure, forming a dreamlike network of associations that invites open-ended interpretation. Compared to the symbolic approach of Raw Soul, Undercurrent confronts things as they are, emphasizing that what is seen is what it is, and raising deeper questions about how we perceive, remember, and understand the world.
⠀
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
📸開幕 Opening | 2026.5.16 (Sat.) 4PM
⠀
📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良 @chaoliangshen
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

📌展覽預告 Upcoming
【伏流：李岳凌個展 | Undercurrent: Yehlin LEE solo exhibition】
@yehlinlee
⠀
在拍攝過程中，藝術家回望自身生命的轉折，進而意識到個體經驗與土地歷史之間的深層連結。《伏流》因此指向一種集體性的「疤痕結構」：累積的創傷在時間中轉化為信仰，並成為維繫群體的精神力量。河面上的日常與河面下的無形流動彼此交織，呈現出一種不穩定卻持續運作的內在平衡。詩人吳俞萱認為，《伏流》的關鍵在於重新看待「表面」。李岳凌透過貼近物件、壓縮空間的方式，讓影像不再只是用來說故事，而是讓畫面本身就成立。像血痕、剝落的顏料或懸掛的物件，看似靜止，卻隱含著內在的變化與力量，在穩定與崩解之間形成張力。在影像的安排上，《伏流》不走線性敘事，而是透過畫面之間的呼應與連結，形成一種類似夢境的觀看經驗，讓觀者可以自由感受與理解。相較於〈Raw Soul〉偏向象徵的表現方式，《伏流》更直接面對事物本身，強調「看到的就是它本身」，也進一步回應了我們如何觀看、記憶與理解世界的問題。
⠀
Throughout the process, the artist reflects on his own life’s turning points, recognizing a profound connection between personal experience and the historical memory embedded in the land. Undercurrent thus points to a collective “structure of scars,” where accumulated trauma transforms into belief and becomes a sustaining spiritual force. The visible surface of everyday life and the invisible currents beneath it intertwine, forming a dynamic yet fragile equilibrium. Poet Yu-Hsuan WU suggests that the essence of Undercurrent lies in rethinking the notion of “surface.” By compressing space and moving close to material details, LEE allows the images to stand on their own rather than merely narrate. Blood traces, peeling paint, and suspended objects may appear still, yet they carry an inner movement, holding tension between stability and collapse. The sequencing of images follows a non-linear structure, forming a dreamlike network of associations that invites open-ended interpretation. Compared to the symbolic approach of Raw Soul, Undercurrent confronts things as they are, emphasizing that what is seen is what it is, and raising deeper questions about how we perceive, remember, and understand the world.
⠀
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
📸開幕 Opening | 2026.5.16 (Sat.) 4PM
⠀
📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良 @chaoliangshen
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

📌展覽預告 Upcoming
【伏流：李岳凌個展 | Undercurrent: Yehlin LEE solo exhibition】
@yehlinlee
⠀
《伏流》創作背景源於曾文溪流域的歷史與信仰脈絡。這條曾被稱為「青瞑蛇」的河流多次改道，其不穩定性深刻形塑地方對自然與神靈的理解。在各庄頭的祭典儀式中，乩童透過附身與身體實踐召喚神靈，以抵禦災厄並撫慰歷史創傷，人們亦從中獲得心靈慰藉，使信仰成為日常生活的重要依託。隨著社會演進，這些傳統逐漸轉變，然而在李岳凌的影像中，仍可見當地居民於有形與無形之間延續著祖先留下的文化痕跡，使觀看轉化為一種共同的感知經驗。
⠀
The project is rooted in the historical and spiritual landscape of the Zengwen River basin. Once known as the “Blind Serpent,” the river has shifted its course many times, shaping local perceptions of nature and the divine. In village rituals, spirit mediums invoke deities through possession and physical endurance, calling upon unseen forces to ward off disasters and heal historical wounds. Through these practices, faith becomes a vital source of emotional sustenance and an integral part of daily life. Although such traditions have gradually transformed over time, LEE’s images reveal how local communities continue to carry and transmit these cultural legacies, both visibly and invisibly, turning the act of viewing into a shared sensory experience.
⠀
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
📸開幕 Opening | 2026.5.16 (Sat.) 4PM
⠀
📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良Chao-Liang SHEN @chaoliangshen
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

📌展覽預告 Upcoming
【伏流：李岳凌個展 | Undercurrent: Yehlin LEE solo exhibition】
@yehlinlee
⠀
《伏流》創作背景源於曾文溪流域的歷史與信仰脈絡。這條曾被稱為「青瞑蛇」的河流多次改道，其不穩定性深刻形塑地方對自然與神靈的理解。在各庄頭的祭典儀式中，乩童透過附身與身體實踐召喚神靈，以抵禦災厄並撫慰歷史創傷，人們亦從中獲得心靈慰藉，使信仰成為日常生活的重要依託。隨著社會演進，這些傳統逐漸轉變，然而在李岳凌的影像中，仍可見當地居民於有形與無形之間延續著祖先留下的文化痕跡，使觀看轉化為一種共同的感知經驗。
⠀
The project is rooted in the historical and spiritual landscape of the Zengwen River basin. Once known as the “Blind Serpent,” the river has shifted its course many times, shaping local perceptions of nature and the divine. In village rituals, spirit mediums invoke deities through possession and physical endurance, calling upon unseen forces to ward off disasters and heal historical wounds. Through these practices, faith becomes a vital source of emotional sustenance and an integral part of daily life. Although such traditions have gradually transformed over time, LEE’s images reveal how local communities continue to carry and transmit these cultural legacies, both visibly and invisibly, turning the act of viewing into a shared sensory experience.
⠀
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
📸開幕 Opening | 2026.5.16 (Sat.) 4PM
⠀
📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良Chao-Liang SHEN @chaoliangshen
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

📌展覽預告 Upcoming
【伏流：李岳凌個展 | Undercurrent: Yehlin LEE solo exhibition】
@yehlinlee
⠀
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
📸開幕 Opening | 2026.5.16 (Sat.) 4PM

📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良Chao-Liang SHEN @chaoliangshen
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)
⠀
朝代畫廊向您宣布，我們將於5月16日下午4點舉行台灣攝影藝術家李岳凌個展《伏流》開幕茶會，展期至6月27日。本展將呈現李岳凌於台灣南部的母親河曾文溪流域進行之攝影創作計畫，延續其對身體、信仰與土地之間關係的長期關注。《伏流》承接其2017年攝影集〈Raw Soul〉的感知探索，進一步深入民間信仰與集體記憶的底層，試圖捕捉在現代化進程中逐漸隱沒，卻仍持續流動的精神痕跡。本展亦將於6月6日舉辦座談暨〈伏流〉攝影書發表會，誠摯邀請您蒞臨參與。
⠀
Dynasty Gallery is pleased to announce the opening reception of Undercurrent, a solo exhibition by Taiwanese photographic artist Yehlin LEE, to be held on May 16 at 4:00 PM. The exhibition will run through June 27. This exhibition presents LEE’s photographic project developed in the Zengwen River basin in southern Taiwan—often regarded as the island’s “mother river”—continuing his long-term exploration of the relationship between body, belief, and land. Undercurrent extends the perceptual inquiry of his 2017 photobook Raw Soul, delving further into the substrata of folk belief and collective memory, and seeking to capture spiritual traces that are gradually fading amid modernization, yet remain in constant flow. The exhibition will also host an Artist Talk and Photobook Launch of Undercurrent on June 6. We warmly invite you to join us.
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

📌展覽預告 Upcoming
【伏流：李岳凌個展 | Undercurrent: Yehlin LEE solo exhibition】
@yehlinlee
⠀
📸展期 Date | 2026.5.16 – 6.27
📸地點 Venue | 朝代畫廊 Dynasty Gallery
📸開幕 Opening | 2026.5.16 (Sat.) 4PM

📢座談暨〈伏流〉攝影書發表會 Artist Talk and Photobook Launch
　▶️2026.6.6 (Sat.) 3PM-4:30PM
📢座談與談人 Speakers
　▶️沈昭良Chao-Liang SHEN @chaoliangshen
　　華梵大學攝影與VR設計系教授兼主任
　　 Photo ONE 台北國際影像藝術節召集人
　▶️李岳凌 Yehlin LEE (藝術家)
⠀
朝代畫廊向您宣布，我們將於5月16日下午4點舉行台灣攝影藝術家李岳凌個展《伏流》開幕茶會，展期至6月27日。本展將呈現李岳凌於台灣南部的母親河曾文溪流域進行之攝影創作計畫，延續其對身體、信仰與土地之間關係的長期關注。《伏流》承接其2017年攝影集〈Raw Soul〉的感知探索，進一步深入民間信仰與集體記憶的底層，試圖捕捉在現代化進程中逐漸隱沒，卻仍持續流動的精神痕跡。本展亦將於6月6日舉辦座談暨〈伏流〉攝影書發表會，誠摯邀請您蒞臨參與。
⠀
Dynasty Gallery is pleased to announce the opening reception of Undercurrent, a solo exhibition by Taiwanese photographic artist Yehlin LEE, to be held on May 16 at 4:00 PM. The exhibition will run through June 27. This exhibition presents LEE’s photographic project developed in the Zengwen River basin in southern Taiwan—often regarded as the island’s “mother river”—continuing his long-term exploration of the relationship between body, belief, and land. Undercurrent extends the perceptual inquiry of his 2017 photobook Raw Soul, delving further into the substrata of folk belief and collective memory, and seeking to capture spiritual traces that are gradually fading amid modernization, yet remain in constant flow. The exhibition will also host an Artist Talk and Photobook Launch of Undercurrent on June 6. We warmly invite you to join us.
⠀
#dynastygallery #yehlinlee #soloexhibition #undercurrent #photography #朝代畫廊 #李岳凌

【🧧春節公休公告 Lunar New Year Holiday🏮】
⠀⠀
朝代畫廊將於
📅 2/15 – 2/22 農曆春節期間公休。
✨ 2/23 正式開工，恢復正常營業。
⠀⠀
感謝您過去一年的支持與陪伴
祝您闔家安康，馬上精彩🐴🐴🐴！
⠀⠀
Dynasty Gallery will be closed for the Lunar New Year holiday from
📅 February 15 to February 22.
We will resume regular business hours on
✨ February 23.
⠀⠀
Wishing you a joyful and prosperous Lunar New Year.
Happy Year of the Horse🐴🐴🐴!

【🧧春節公休公告 Lunar New Year Holiday🏮】
⠀⠀
朝代畫廊將於
📅 2/15 – 2/22 農曆春節期間公休。
✨ 2/23 正式開工，恢復正常營業。
⠀⠀
感謝您過去一年的支持與陪伴
祝您闔家安康，馬上精彩🐴🐴🐴！
⠀⠀
Dynasty Gallery will be closed for the Lunar New Year holiday from
📅 February 15 to February 22.
We will resume regular business hours on
✨ February 23.
⠀⠀
Wishing you a joyful and prosperous Lunar New Year.
Happy Year of the Horse🐴🐴🐴!

ONE ART Taipei 2026 @onearttaipei 前不久已於熱鬧而圓滿的氛圍中落幕，不知您是否曾在眾多展間之中，與我們不期而遇？
⠀
本屆朝代展出作品皆為精心之選，從草間彌生的經典小品、林餘慶與魏杏諭 @linwei.studio 的細緻畫作、曾上杰 @dzunjj 的人物雕刻，到夏愛華 @aihuahsia 的動物漆畫、水谷篤司 @mizukanishi 的立體風景、呂文 @luwenluwen5 的乾漆木雕、劉振祥 @ahsiang99 的攝影紀錄，以及具本妸 @bonakoo 的膠彩水墨、樂緗慈 @ritasmtflorist 的雅緻陶偶...等，每一件作品都承載著創作者獨特而真誠的藝術語彙。
⠀
在「飯店」這個能讓跟作品更為親近的空間中，我們始終相信，只要有一件作品能悄然走進您的心中，藝術的養分便會在其中慢慢累積、持續生長；而這，也正是我們最珍視、也最樂於見到的時刻。
⠀
期待很快與您再次相會！
⠀
#DynastyGallery #ONEARTTaipei #yayoikusama #tsengshangjie #hsiaaihua #mizutaniatsushi #koobona #liuchenhsiang #luwen #ritayueh #artfair

ONE ART Taipei 2026 @onearttaipei 前不久已於熱鬧而圓滿的氛圍中落幕，不知您是否曾在眾多展間之中，與我們不期而遇？
⠀
本屆朝代展出作品皆為精心之選，從草間彌生的經典小品、林餘慶與魏杏諭 @linwei.studio 的細緻畫作、曾上杰 @dzunjj 的人物雕刻，到夏愛華 @aihuahsia 的動物漆畫、水谷篤司 @mizukanishi 的立體風景、呂文 @luwenluwen5 的乾漆木雕、劉振祥 @ahsiang99 的攝影紀錄，以及具本妸 @bonakoo 的膠彩水墨、樂緗慈 @ritasmtflorist 的雅緻陶偶...等，每一件作品都承載著創作者獨特而真誠的藝術語彙。
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在「飯店」這個能讓跟作品更為親近的空間中，我們始終相信，只要有一件作品能悄然走進您的心中，藝術的養分便會在其中慢慢累積、持續生長；而這，也正是我們最珍視、也最樂於見到的時刻。
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期待很快與您再次相會！
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#DynastyGallery #ONEARTTaipei #yayoikusama #tsengshangjie #hsiaaihua #mizutaniatsushi #koobona #liuchenhsiang #luwen #ritayueh #artfair

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 曾上杰 @dzunjj】
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曾上杰的木雕並不追求形體的精準重現，而是傾向如何將精神感受再演繹。曾上杰認為，從繪畫角度看待自己的立體作品，更能表達他的內心對世界的感知，其顏料上色覆蓋著刀痕所產生的隨機性，以及上色後再刻掉的曖昧感，皆是呼應藝術家對於雕刻「減法」的認知，也是一種虛實之間的探索。本次新作《紅區》與《遠水》呈現了藝術家於不同階段中的自我挑戰與實踐，以粗獷明確的雕刻筆觸凸顯了材質與肌理的節奏，刻痕轉折面創造的陰影層次也隨著光線參與了色彩表現，構成光影與彩度的合作與張力。
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TSENG Shang-Jie does not seek precise anatomical representation in his wood sculptures; instead, he focuses on reinterpreting inner, spiritual sensations. By approaching his three-dimensional works from a painterly perspective, Tseng articulates his perception of the world more directly. The layers of pigment that cover the randomness of chisel marks, along with the ambiguity created by carving back into painted surfaces, echo his understanding of sculpture as an act of “subtraction” and a continuous exploration between presence and absence. His recent works, “Red Zone” and “Distant Waters”, reflect different stages of self-challenge and artistic practice. Through bold and decisive carving gestures, Tseng emphasizes the rhythm of material and texture, while the shadows formed by shifting carved planes interact with light, actively participating in the expression of color and creating a dynamic tension between luminosity and chromatic intensity.
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✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：https://www.onearttaipei.com/buyticket
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#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 曾上杰 @dzunjj】
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曾上杰的木雕並不追求形體的精準重現，而是傾向如何將精神感受再演繹。曾上杰認為，從繪畫角度看待自己的立體作品，更能表達他的內心對世界的感知，其顏料上色覆蓋著刀痕所產生的隨機性，以及上色後再刻掉的曖昧感，皆是呼應藝術家對於雕刻「減法」的認知，也是一種虛實之間的探索。本次新作《紅區》與《遠水》呈現了藝術家於不同階段中的自我挑戰與實踐，以粗獷明確的雕刻筆觸凸顯了材質與肌理的節奏，刻痕轉折面創造的陰影層次也隨著光線參與了色彩表現，構成光影與彩度的合作與張力。
⠀
TSENG Shang-Jie does not seek precise anatomical representation in his wood sculptures; instead, he focuses on reinterpreting inner, spiritual sensations. By approaching his three-dimensional works from a painterly perspective, Tseng articulates his perception of the world more directly. The layers of pigment that cover the randomness of chisel marks, along with the ambiguity created by carving back into painted surfaces, echo his understanding of sculpture as an act of “subtraction” and a continuous exploration between presence and absence. His recent works, “Red Zone” and “Distant Waters”, reflect different stages of self-challenge and artistic practice. Through bold and decisive carving gestures, Tseng emphasizes the rhythm of material and texture, while the shadows formed by shifting carved planes interact with light, actively participating in the expression of color and creating a dynamic tension between luminosity and chromatic intensity.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：https://www.onearttaipei.com/buyticket
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#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 呂文 @luwenluwen5】
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呂文的創作關注動物的生命狀態，亦映照自身經驗，從對飼養愛犬的觀察出發，逐步延伸至當代社會中人類與犬貓共處的現象，如流浪動物與家庭毛小孩等議題。他透過雕塑的材質技法與空間語言，回應對「眾生」的思考，並在具象動物造型中，進一步探討人類情感、慾念與行為模式的隱喻。創作上選用木雕與脫活乾漆等傳統材料，藉由層層堆疊與手作痕跡，呈現時間累積的質地與文化深度。在科技快速變動的時代，呂文以緩慢而踏實的創作方式，邀請觀者重新感受生命之形與存在的關係。
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LU Wen focuses his practice on the states of animal life, reflecting his own experiences. Beginning with observations drawn from living with his pet dog, his inquiry gradually expands to contemporary social phenomena surrounding human relationships with dogs and cats, including stray animals and “fur children” within family structures. Through sculptural materials, techniques, and spatial language, Lu Wen engages with the concept of “sentient beings,” using figurative animal forms to further explore metaphors of human emotions, desires, and behavioral patterns. Working with traditional materials such as wood carving and kanshitsu (dry lacquer), he employs processes of layering and visible handwork to reveal textures shaped by accumulated time and cultural depth. In an era of rapid technological change, Lu Wen embraces a slow and grounded mode of making, inviting viewers to rediscover the forms of life and their relationship to existence.
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✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：https://www.onearttaipei.com/buyticket
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#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 呂文 @luwenluwen5】
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呂文的創作關注動物的生命狀態，亦映照自身經驗，從對飼養愛犬的觀察出發，逐步延伸至當代社會中人類與犬貓共處的現象，如流浪動物與家庭毛小孩等議題。他透過雕塑的材質技法與空間語言，回應對「眾生」的思考，並在具象動物造型中，進一步探討人類情感、慾念與行為模式的隱喻。創作上選用木雕與脫活乾漆等傳統材料，藉由層層堆疊與手作痕跡，呈現時間累積的質地與文化深度。在科技快速變動的時代，呂文以緩慢而踏實的創作方式，邀請觀者重新感受生命之形與存在的關係。
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LU Wen focuses his practice on the states of animal life, reflecting his own experiences. Beginning with observations drawn from living with his pet dog, his inquiry gradually expands to contemporary social phenomena surrounding human relationships with dogs and cats, including stray animals and “fur children” within family structures. Through sculptural materials, techniques, and spatial language, Lu Wen engages with the concept of “sentient beings,” using figurative animal forms to further explore metaphors of human emotions, desires, and behavioral patterns. Working with traditional materials such as wood carving and kanshitsu (dry lacquer), he employs processes of layering and visible handwork to reveal textures shaped by accumulated time and cultural depth. In an era of rapid technological change, Lu Wen embraces a slow and grounded mode of making, inviting viewers to rediscover the forms of life and their relationship to existence.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：https://www.onearttaipei.com/buyticket
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#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 劉振祥 @ahsiang99】
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劉振祥為台灣重要的攝影家之一，長年耕耘新聞與表演藝術攝影，尤以與雲門舞集的合作，以及多位知名導演所執導的電影劇照聞名。他影像中的強烈紀實質地，在雜誌與報社任職期間，他以獨特視角貼近街頭第一線，在言論仍受限制的年代持續拍攝，為當時社會提供不同於官方主流的觀點，也為台灣民主化進程記載了一頁頁的影像。《戀戀風塵》系列為劉振祥於與導演侯孝賢合作期間所拍攝的側寫劇照，透過其獨特的攝影視角，捕捉電影畫面之外演員、劇組與鏡頭之間的互動瞬間，留下珍貴而細膩的創作紀錄。
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LIU Chen-Hsiang is one of Taiwan’s most significant photographers, with a long career spanning photojournalism and performance arts photography. He is particularly renowned for his collaborations with Cloud Gate Dance Theatre of Taiwan and for his film stills created for works directed by many leading filmmakers. Marked by a strong documentary sensibility, Liu’s images—shaped during his years working for magazines and newspapers—bring him to the front lines of the street with a distinctive, intimate perspective. In an era when freedom of expression was still constrained, he persistently documented society, offering viewpoints that diverged from official narratives and recording, frame by frame, Taiwan’s path toward democratization. The “Dust in the Wind” series comprises behind-the-scenes stills taken during Liu’s collaboration with director Hou Hsiao-hsien. Through his singular photographic vision, Liu captures moments beyond the film’s on-screen imagery—revealing the subtle interactions among actors, crew, and camera—and preserves a body of work that is both precious and finely observed.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：https://www.onearttaipei.com/buyticket
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#DynastyGallery #ONEARTTaipei #artfair #contemporaryart

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 劉振祥 @ahsiang99】
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劉振祥為台灣重要的攝影家之一，長年耕耘新聞與表演藝術攝影，尤以與雲門舞集的合作，以及多位知名導演所執導的電影劇照聞名。他影像中的強烈紀實質地，在雜誌與報社任職期間，他以獨特視角貼近街頭第一線，在言論仍受限制的年代持續拍攝，為當時社會提供不同於官方主流的觀點，也為台灣民主化進程記載了一頁頁的影像。《戀戀風塵》系列為劉振祥於與導演侯孝賢合作期間所拍攝的側寫劇照，透過其獨特的攝影視角，捕捉電影畫面之外演員、劇組與鏡頭之間的互動瞬間，留下珍貴而細膩的創作紀錄。
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LIU Chen-Hsiang is one of Taiwan’s most significant photographers, with a long career spanning photojournalism and performance arts photography. He is particularly renowned for his collaborations with Cloud Gate Dance Theatre of Taiwan and for his film stills created for works directed by many leading filmmakers. Marked by a strong documentary sensibility, Liu’s images—shaped during his years working for magazines and newspapers—bring him to the front lines of the street with a distinctive, intimate perspective. In an era when freedom of expression was still constrained, he persistently documented society, offering viewpoints that diverged from official narratives and recording, frame by frame, Taiwan’s path toward democratization. The “Dust in the Wind” series comprises behind-the-scenes stills taken during Liu’s collaboration with director Hou Hsiao-hsien. Through his singular photographic vision, Liu captures moments beyond the film’s on-screen imagery—revealing the subtle interactions among actors, crew, and camera—and preserves a body of work that is both precious and finely observed.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：https://www.onearttaipei.com/buyticket
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#DynastyGallery #ONEARTTaipei #artfair #contemporaryart

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 水谷篤司 @mizukanishi】
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水谷篤司的雕刻創作以「似曾相識的風景」為主題，這些風景混合了現實、印象、記憶、遺忘、虛構與未來，交織成作品的形體。他試圖將自己的作品與觀者心中的風景融合並形成一種巨大磅礡的樣子，激發人們內心深處的情感，或成為某些記憶浮現的契機。對他而言，雕刻雖是藉由肉體勞動產生的具體行為，卻也是接觸人心深處的一種方式。他常年持續進行的《Drawing》系列則如為風景雕製的輕盈速寫，將腦海中的不斷重疊的各種記憶具像化。
⠀
MIZUTANI Atsushi's sculptural works revolve around the theme of "familiar landscapes." These landscapes blend reality, impressions, memories, oblivion, fiction, and the future, intertwining to form the shapes of his creations. He seeks to merge his works with the landscapes embedded in the viewer's mind, creating a grand and powerful presence that evokes deep emotions or triggers the resurfacing of certain memories. For him, sculpture, though a tangible act born from physical labor, is also a way to connect with the depths of the human heart. His long-running Drawing series resembles light, swift sketches carved for landscapes, giving tangible form to the continuously overlapping layers of memory in his mind.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：請見bio連結
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#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 水谷篤司 @mizukanishi】
⠀
水谷篤司的雕刻創作以「似曾相識的風景」為主題，這些風景混合了現實、印象、記憶、遺忘、虛構與未來，交織成作品的形體。他試圖將自己的作品與觀者心中的風景融合並形成一種巨大磅礡的樣子，激發人們內心深處的情感，或成為某些記憶浮現的契機。對他而言，雕刻雖是藉由肉體勞動產生的具體行為，卻也是接觸人心深處的一種方式。他常年持續進行的《Drawing》系列則如為風景雕製的輕盈速寫，將腦海中的不斷重疊的各種記憶具像化。
⠀
MIZUTANI Atsushi's sculptural works revolve around the theme of "familiar landscapes." These landscapes blend reality, impressions, memories, oblivion, fiction, and the future, intertwining to form the shapes of his creations. He seeks to merge his works with the landscapes embedded in the viewer's mind, creating a grand and powerful presence that evokes deep emotions or triggers the resurfacing of certain memories. For him, sculpture, though a tangible act born from physical labor, is also a way to connect with the depths of the human heart. His long-running Drawing series resembles light, swift sketches carved for landscapes, giving tangible form to the continuously overlapping layers of memory in his mind.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：請見bio連結
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 林餘慶&魏杏諭 @linwei.studio】
⠀
林餘慶＆魏杏諭共同創作至今已近二十年，藝術家耐心分配色調和色塊，在繁忙緊湊的節奏中，公平地分配色彩，創造了均衡生態。此外，系列作品之間的物件串連，也讓他們的創作產生古時壁畫的共時性──將長篇幅的故事呈現在一片牆上，讓觀者於一眼全覽的同時也能在細節裡悠遊。藝術家筆下的主要角色「Wulala」就像是他們的化身，不斷出現在作品畫面之中，像是導遊般引領我們徜徉在林餘慶和魏杏諭為作品所創作的心情詩海中，盡情探索。
⠀
LIN Yu-Ching & WEI Hsing-Yu have collaborated for nearly two decades. With patience and precision, the artists carefully distribute tones and color blocks, allocating color with an almost egalitarian rhythm amid dense and dynamic compositions to create a balanced visual ecology. The connections between individual works within a series further generate a sense of synchronicity reminiscent of ancient murals—unfolding an extended narrative across a single wall, allowing viewers to grasp the whole at a glance while wandering freely through its details. The recurring protagonist “Wulala”, a figure that functions as the artists’ alter ego, appears continuously throughout their works. Like a guide, Wulala leads viewers through the poetic emotional landscapes constructed by Lin Yu-Ching and Wei Hsing-Yu, inviting an immersive journey of exploration and contemplation.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：請見bio連結
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 林餘慶&魏杏諭 @linwei.studio】
⠀
林餘慶＆魏杏諭共同創作至今已近二十年，藝術家耐心分配色調和色塊，在繁忙緊湊的節奏中，公平地分配色彩，創造了均衡生態。此外，系列作品之間的物件串連，也讓他們的創作產生古時壁畫的共時性──將長篇幅的故事呈現在一片牆上，讓觀者於一眼全覽的同時也能在細節裡悠遊。藝術家筆下的主要角色「Wulala」就像是他們的化身，不斷出現在作品畫面之中，像是導遊般引領我們徜徉在林餘慶和魏杏諭為作品所創作的心情詩海中，盡情探索。
⠀
LIN Yu-Ching & WEI Hsing-Yu have collaborated for nearly two decades. With patience and precision, the artists carefully distribute tones and color blocks, allocating color with an almost egalitarian rhythm amid dense and dynamic compositions to create a balanced visual ecology. The connections between individual works within a series further generate a sense of synchronicity reminiscent of ancient murals—unfolding an extended narrative across a single wall, allowing viewers to grasp the whole at a glance while wandering freely through its details. The recurring protagonist “Wulala”, a figure that functions as the artists’ alter ego, appears continuously throughout their works. Like a guide, Wulala leads viewers through the poetic emotional landscapes constructed by Lin Yu-Ching and Wei Hsing-Yu, inviting an immersive journey of exploration and contemplation.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：請見bio連結
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 具本妸 @bonakoo】
⠀
具本妸以東方繪畫為創作起點，將日常感知與內在哲思轉化為視覺語言。她長期關注生命與時間的流動關係，融合韓國東洋畫的韻味與層次豐富的色彩，形塑出鮮明而詩性的畫面。作品多以韓國紙為基底，透過剪裁、拼貼與堆疊，使材質本身成為重要視覺元素，隱喻時間於無形中留下的痕跡，引領觀者感受存在於時間長河中的生命軌跡。此次展出的《牆上的詩》系列以古羅馬建築遺跡為引，思索時間的重量與無盡流轉。符號與詩篇在創作者遠去後仍留存，映照人類短暫存在於兩個永恆之間的狀態。
⠀
KOO Bon-A begins her practice from the perspective of East Asian painting, transforming everyday perceptions and inner reflections into a visual language. She has long been concerned with the fluid relationship between life and time, combining the sensibilities of Korean ink traditions with richly layered colors to create vivid and poetic compositions. Working primarily on Korean paper, she employs cutting, collage, and layering so that the material itself becomes a key visual element—an allusion to the traces time leaves unseen—guiding viewers to sense the trajectories of life within the long flow of time. The exhibited “Poetry on the Wall” series draws inspiration from the remnants of ancient Roman architecture, contemplating the weight of time and its endless passage. Symbols and poetic inscriptions endure long after their makers have vanished, reflecting the fleeting nature of human existence suspended between two eternities.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：https://www.onearttaipei.com/buyticket
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 具本妸 @bonakoo】
⠀
具本妸以東方繪畫為創作起點，將日常感知與內在哲思轉化為視覺語言。她長期關注生命與時間的流動關係，融合韓國東洋畫的韻味與層次豐富的色彩，形塑出鮮明而詩性的畫面。作品多以韓國紙為基底，透過剪裁、拼貼與堆疊，使材質本身成為重要視覺元素，隱喻時間於無形中留下的痕跡，引領觀者感受存在於時間長河中的生命軌跡。此次展出的《牆上的詩》系列以古羅馬建築遺跡為引，思索時間的重量與無盡流轉。符號與詩篇在創作者遠去後仍留存，映照人類短暫存在於兩個永恆之間的狀態。
⠀
KOO Bon-A begins her practice from the perspective of East Asian painting, transforming everyday perceptions and inner reflections into a visual language. She has long been concerned with the fluid relationship between life and time, combining the sensibilities of Korean ink traditions with richly layered colors to create vivid and poetic compositions. Working primarily on Korean paper, she employs cutting, collage, and layering so that the material itself becomes a key visual element—an allusion to the traces time leaves unseen—guiding viewers to sense the trajectories of life within the long flow of time. The exhibited “Poetry on the Wall” series draws inspiration from the remnants of ancient Roman architecture, contemplating the weight of time and its endless passage. Symbols and poetic inscriptions endure long after their makers have vanished, reflecting the fleeting nature of human existence suspended between two eternities.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：https://www.onearttaipei.com/buyticket
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 夏愛華 @aihuahsia】
⠀
夏愛華擅長使用「活脫乾漆」這種用來製作佛像的古時技術，向觀眾闡述她在自然界各種奇妙的偶遇與回憶，而徜徉在山林中的動物們更是被她視為像是精靈神祇般的存在，並在創作中成為主要的角色。她使用天然材質-生漆-來重新塑造出這些動物們的形體，而這些雕像也遵循古法留下了空心部分，象徵呈載了靈性、真我，讓整件作品更加完整飽滿。此次展出的平面作品為《夜之動物園》系列的延伸，我們在看著她所繪製的動物圖像時，彷彿也像是閱覽著一頁頁的妖精圖鑒般，既生動而又奇幻。
⠀
HSIA Aihua specializes in using the ancient "hollow dry lacquer" technique, traditionally employed in crafting Buddhist statues, to convey her encounters and memories of the natural world. She regards the animals wandering through forests as spiritual beings or deities, making them central characters in her creations. Utilizing natural lacquer as her medium, HSIA reshapes these animals into sculptural forms, adhering to traditional methods that leave the sculptures hollow. These hollow spaces symbolize spirituality, the true self, and an intrinsic essence. The lacquer paintings featured this time are an extension of her *Night Zoo* series. Observing her animal imagery feels like exploring a bestiary of fairies—vividly dynamic, enchanting, and brimming with a sense of wonder.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：請見bio連結
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei @aihuahsia

【𝐎𝐍𝐄 𝐀𝐑𝐓 𝐓𝐚𝐢𝐩𝐞𝐢 𝟐𝟎𝟐𝟔 參展藝術家 | 夏愛華 @aihuahsia】
⠀
夏愛華擅長使用「活脫乾漆」這種用來製作佛像的古時技術，向觀眾闡述她在自然界各種奇妙的偶遇與回憶，而徜徉在山林中的動物們更是被她視為像是精靈神祇般的存在，並在創作中成為主要的角色。她使用天然材質-生漆-來重新塑造出這些動物們的形體，而這些雕像也遵循古法留下了空心部分，象徵呈載了靈性、真我，讓整件作品更加完整飽滿。此次展出的平面作品為《夜之動物園》系列的延伸，我們在看著她所繪製的動物圖像時，彷彿也像是閱覽著一頁頁的妖精圖鑒般，既生動而又奇幻。
⠀
HSIA Aihua specializes in using the ancient "hollow dry lacquer" technique, traditionally employed in crafting Buddhist statues, to convey her encounters and memories of the natural world. She regards the animals wandering through forests as spiritual beings or deities, making them central characters in her creations. Utilizing natural lacquer as her medium, HSIA reshapes these animals into sculptural forms, adhering to traditional methods that leave the sculptures hollow. These hollow spaces symbolize spirituality, the true self, and an intrinsic essence. The lacquer paintings featured this time are an extension of her *Night Zoo* series. Observing her animal imagery feels like exploring a bestiary of fairies—vividly dynamic, enchanting, and brimming with a sense of wonder.
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：請見bio連結
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei @aihuahsia

🔔【參展預告：藝術台北 𝗢𝗡𝗘 𝗔𝗥𝗧 𝗧𝗮𝗶𝗽𝗲𝗶 𝟮𝟬𝟮𝟲】🔔
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：請見bio連結
⠀
朝代畫廊誠摯邀請您蒞臨《藝術台北 ONE ART Taipei 2026》，本次展出匯聚台灣、日本與韓國當代藝術的重要創作力量，參展藝術家包括夏愛華、具本妸、草間彌生、林餘慶 & 魏杏諭、劉振祥、呂文、水谷篤司與曾上杰，呈現橫跨繪畫、攝影、雕塑與複合媒材的多元創作面貌。
⠀
透過不同世代與文化背景的藝術實踐，本次展覽聚焦於感知、記憶、身體與時代經驗等核心議題，展現藝術家如何在傳統脈絡與當代語境之間持續探索與回應。我們期盼在 ONE ART Taipei 2026 的現場，與觀眾一同深入藝術語言的層次，拓展對當代藝術的想像與理解。
⠀
誠摯邀請您蒞臨朝代畫廊展間，與我們一同感受藝術所帶來的深度與思考。
⠀
Dynasty Gallery cordially invites you to ONE ART Taipei 2026. This presentation brings together significant creative energies from contemporary art in Taiwan, Japan, and Korea, featuring works by HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, and TSENG Shang-Jie. The exhibition showcases a diverse range of practices spanning painting, photography, sculpture, and mixed media.
⠀
Through artistic practices shaped by different generations and cultural backgrounds, the exhibition focuses on core themes such as perception, memory, the body, and lived experience, revealing how artists continue to explore and respond to the dialogue between tradition and contemporary contexts. We look forward to engaging audiences at ONE ART Taipei 2026, inviting deeper encounters with artistic language and expanding the imagination and understanding of contemporary art.
⠀
We warmly welcome you to visit our booth and experience the depth and vitality that art brings.
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei @bonakoo @aihuahsia @linwei.studio @ahsiang99 @luwenluwen5 @mizukanishi @dzunjj

🔔【參展預告：藝術台北 𝗢𝗡𝗘 𝗔𝗥𝗧 𝗧𝗮𝗶𝗽𝗲𝗶 𝟮𝟬𝟮𝟲】🔔
⠀
✨朝代畫廊展間 Room：𝟏𝟏𝟎𝟏
✨貴賓預展 VIP Preview：2026.01.16 (五)
✨大眾參觀 Public Days：2026.01.17(六)-01.18(日)
✨地點 Venue：JR東日本大飯店台北
　　　　　　　 Hotel Metropolitan Premier Taipei
✨展出藝術家 Artists：夏愛華、具本妸、草間彌生、林餘慶&魏杏諭、劉振祥、呂文、水谷篤司、曾上杰
HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, TSENG Shang-Jie
ℹ️憑票入場，官方票務 Tickets：請見bio連結
⠀
朝代畫廊誠摯邀請您蒞臨《藝術台北 ONE ART Taipei 2026》，本次展出匯聚台灣、日本與韓國當代藝術的重要創作力量，參展藝術家包括夏愛華、具本妸、草間彌生、林餘慶 & 魏杏諭、劉振祥、呂文、水谷篤司與曾上杰，呈現橫跨繪畫、攝影、雕塑與複合媒材的多元創作面貌。
⠀
透過不同世代與文化背景的藝術實踐，本次展覽聚焦於感知、記憶、身體與時代經驗等核心議題，展現藝術家如何在傳統脈絡與當代語境之間持續探索與回應。我們期盼在 ONE ART Taipei 2026 的現場，與觀眾一同深入藝術語言的層次，拓展對當代藝術的想像與理解。
⠀
誠摯邀請您蒞臨朝代畫廊展間，與我們一同感受藝術所帶來的深度與思考。
⠀
Dynasty Gallery cordially invites you to ONE ART Taipei 2026. This presentation brings together significant creative energies from contemporary art in Taiwan, Japan, and Korea, featuring works by HSIA AiHua, KOO Bon-A, KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, LIU Chen-Hsiang, LU Wen, MIZUTANI Atsushi, and TSENG Shang-Jie. The exhibition showcases a diverse range of practices spanning painting, photography, sculpture, and mixed media.
⠀
Through artistic practices shaped by different generations and cultural backgrounds, the exhibition focuses on core themes such as perception, memory, the body, and lived experience, revealing how artists continue to explore and respond to the dialogue between tradition and contemporary contexts. We look forward to engaging audiences at ONE ART Taipei 2026, inviting deeper encounters with artistic language and expanding the imagination and understanding of contemporary art.
⠀
We warmly welcome you to visit our booth and experience the depth and vitality that art brings.
⠀
#DynastyGallery #ONEARTTaipei #artfair #contemporaryart @onearttaipei @bonakoo @aihuahsia @linwei.studio @ahsiang99 @luwenluwen5 @mizukanishi @dzunjj

上週六，我們十分榮幸迎接國立臺灣師範大學美術學系孫翼華主任，以及在職專班的同學們蒞臨參觀《牆上的詩：具本妸個展》。孫主任以深厚的專業素養帶領同學們深入討論具本妸作品的創作理念與技法，使展場交流格外熱絡而充實。
⠀
同學們細細地觀察畫作中的層次與意象，提出了許多賦有洞見的問題，也分享了自身對作品的觀察與感想。能在展覽現場聽見不同世代、不同視角的思考交織，是藝術最迷人的時刻之一。
⠀
📅 展覽持續展出中，歡迎您前來親自感受具本妸作品的獨特氣息與美感。
⠀
#dynastygallery #koobona #soloexhibition #taipeiartweek #朝代畫廊 #具本妸 #個展 #contemporaryart #師大美術系 @yihua6456 @bonakoo @ntnu_fine_arts

上週六，我們十分榮幸迎接國立臺灣師範大學美術學系孫翼華主任，以及在職專班的同學們蒞臨參觀《牆上的詩：具本妸個展》。孫主任以深厚的專業素養帶領同學們深入討論具本妸作品的創作理念與技法，使展場交流格外熱絡而充實。
⠀
同學們細細地觀察畫作中的層次與意象，提出了許多賦有洞見的問題，也分享了自身對作品的觀察與感想。能在展覽現場聽見不同世代、不同視角的思考交織，是藝術最迷人的時刻之一。
⠀
📅 展覽持續展出中，歡迎您前來親自感受具本妸作品的獨特氣息與美感。
⠀
#dynastygallery #koobona #soloexhibition #taipeiartweek #朝代畫廊 #具本妸 #個展 #contemporaryart #師大美術系 @yihua6456 @bonakoo @ntnu_fine_arts

ART TAIPEI 2025 台北國際藝術博覽會熱烈展出中！
你是否已經在這場盛大的藝術饗宴裡找到我們了呢？
我們準備了許多精彩的作品，絕對讓你目不暇給、美不勝收。
趁著這個連假，和親朋好友一起來場充滿靈感的藝術之旅吧！
⠀
《ART TAIPEI 2025 台北國際藝術博覽會》
公眾展期：2025.10.24-27
展出地點：台北世貿一館
朝代展位：B35
藝術家：草間彌生、林餘慶＆魏杏諭、水谷篤司、具本妸、宋璽德
⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart #yayoikusama #linyuching #weihsingyu #mizutaniatsushi #koobona @mizukanishi @bonakoo @sitersung @linwei.studio @arttaipei

*感謝 @peteressive 攝影支援

ART TAIPEI 2025 台北國際藝術博覽會熱烈展出中！
你是否已經在這場盛大的藝術饗宴裡找到我們了呢？
我們準備了許多精彩的作品，絕對讓你目不暇給、美不勝收。
趁著這個連假，和親朋好友一起來場充滿靈感的藝術之旅吧！
⠀
《ART TAIPEI 2025 台北國際藝術博覽會》
公眾展期：2025.10.24-27
展出地點：台北世貿一館
朝代展位：B35
藝術家：草間彌生、林餘慶＆魏杏諭、水谷篤司、具本妸、宋璽德
⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart #yayoikusama #linyuching #weihsingyu #mizutaniatsushi #koobona @mizukanishi @bonakoo @sitersung @linwei.studio @arttaipei

*感謝 @peteressive 攝影支援

【營業時間調整公告】

因參加 ART TAIPEI 2025，畫廊展場開放時間將調整如下：
📅 10.22 – 10.28 暫停開放
📅 10.29（週三）恢復正常營業

造成不便，敬請見諒。
亦誠摯邀請您前往世貿一館 ART TAIPEI 2025｜B35 朝代畫廊展位參觀！

【營業時間調整公告】

因參加 ART TAIPEI 2025，畫廊展場開放時間將調整如下：
📅 10.22 – 10.28 暫停開放
📅 10.29（週三）恢復正常營業

造成不便，敬請見諒。
亦誠摯邀請您前往世貿一館 ART TAIPEI 2025｜B35 朝代畫廊展位參觀！

【𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓參展藝術家 | 宋璽德 @sitersung】
⠀
宋璽德是台灣重要的金屬雕塑藝術家與藝術教育者。1999年取得日本東京藝術大學博士學位，曾於AIM株式會社研習金屬加工技術。2001年返台後任教於國立臺灣藝術大學，致力雕塑教學與創作推廣，培育眾多後進。
⠀
宋璽德的作品結合鋼鐵與自然意象，探討材料與空間的對話，展現詩意而力量充沛的形式美學。他曾參與ART TAIPEI、Taipei Dangdai、香港INK ASIA、韓國ART:GWANGJU:23等國際藝博會，並舉辦《鋼鐵風景》、《幻境山水》、《物質與反物質》等個展。自2002年起，他積極投入公共藝術創作，在全台多地設置大型雕塑，為城市與社區注入新的藝術能量。
⠀
SUNG Hsi-Te is a prominent Taiwanese metal sculptor and art educator. He earned his Ph.D. from Tokyo University of the Arts in 1999 and trained in metalworking techniques at AIM Corporation in Japan. After returning to Taiwan in 2001, he began teaching at the National Taiwan University of Arts, dedicating himself to both education and creative practice while fostering younger generations of sculptors.
⠀
SUNG’s works combine steel with natural imagery, exploring the dialogue between material and space to express a poetic yet powerful sense of form. He has exhibited internationally at ART TAIPEI, Taipei Dangdai, INK ASIA in Hong Kong, and ART:GWANGJU:23 in Korea, and has held solo exhibitions such as Steel Landscapes, Illusory Mountains, and Matter and Anti-Matter. Since 2002, he has also been deeply engaged in public art, installing large-scale outdoor sculptures across Taiwan and bringing new artistic vitality to urban and community spaces.
⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart #SUNGHsiTe

【𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓參展藝術家 | 宋璽德 @sitersung】
⠀
宋璽德是台灣重要的金屬雕塑藝術家與藝術教育者。1999年取得日本東京藝術大學博士學位，曾於AIM株式會社研習金屬加工技術。2001年返台後任教於國立臺灣藝術大學，致力雕塑教學與創作推廣，培育眾多後進。
⠀
宋璽德的作品結合鋼鐵與自然意象，探討材料與空間的對話，展現詩意而力量充沛的形式美學。他曾參與ART TAIPEI、Taipei Dangdai、香港INK ASIA、韓國ART:GWANGJU:23等國際藝博會，並舉辦《鋼鐵風景》、《幻境山水》、《物質與反物質》等個展。自2002年起，他積極投入公共藝術創作，在全台多地設置大型雕塑，為城市與社區注入新的藝術能量。
⠀
SUNG Hsi-Te is a prominent Taiwanese metal sculptor and art educator. He earned his Ph.D. from Tokyo University of the Arts in 1999 and trained in metalworking techniques at AIM Corporation in Japan. After returning to Taiwan in 2001, he began teaching at the National Taiwan University of Arts, dedicating himself to both education and creative practice while fostering younger generations of sculptors.
⠀
SUNG’s works combine steel with natural imagery, exploring the dialogue between material and space to express a poetic yet powerful sense of form. He has exhibited internationally at ART TAIPEI, Taipei Dangdai, INK ASIA in Hong Kong, and ART:GWANGJU:23 in Korea, and has held solo exhibitions such as Steel Landscapes, Illusory Mountains, and Matter and Anti-Matter. Since 2002, he has also been deeply engaged in public art, installing large-scale outdoor sculptures across Taiwan and bringing new artistic vitality to urban and community spaces.
⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart #SUNGHsiTe

【𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓參展藝術家 | 具本妸 @bonakoo】
⠀
具本妸此次展出多件首次於台灣發表的作品，其中包含一件寬達 260 公分的大尺幅創作。她長期關注生命與時間的流轉，以細膩的筆觸與東洋畫的層次感，營造出兼具詩意與張力的絢麗畫面。作品色彩層疊、筆觸交織，既是對存在的記錄，也象徵時間不斷延展的軌跡。
⠀
她以厚實的韓紙為基底，透過剪裁、拼貼與堆疊，使紙張肌理成為顏料之外的表現語彙，暗示時間在無形中留下的痕跡。對具本妸而言，創作是一場與時間的對話與追尋，她將片刻感受化為可視的形式，邀請觀者在觀看中體會生命流逝的詩意。
⠀
KOO Bon-a presents several works being shown in Taiwan for the first time, including a large-scale painting measuring 260 cm in width. Her long-standing practice explores the fluid relationship between life and time, blending the elegance of traditional Korean painting with refined technique to create vivid, poetic compositions. Layers of color and interwoven brushstrokes serve as both records of existence and traces of time’s continuous flow.
⠀
Using dense Korean paper as her base, Koo cuts, collages, and overlaps materials so that the texture itself becomes a visual language beyond pigment—suggesting the invisible marks left by passing time. For Koo, art-making is a dialogue and pursuit shared with time, transforming fleeting emotions into visible forms and inviting viewers to sense the poetic resonance of life within the flow of time.
⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart @taipeiartweek_ #KOOBonA

【𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓參展藝術家 | 具本妸 @bonakoo】
⠀
具本妸此次展出多件首次於台灣發表的作品，其中包含一件寬達 260 公分的大尺幅創作。她長期關注生命與時間的流轉，以細膩的筆觸與東洋畫的層次感，營造出兼具詩意與張力的絢麗畫面。作品色彩層疊、筆觸交織，既是對存在的記錄，也象徵時間不斷延展的軌跡。
⠀
她以厚實的韓紙為基底，透過剪裁、拼貼與堆疊，使紙張肌理成為顏料之外的表現語彙，暗示時間在無形中留下的痕跡。對具本妸而言，創作是一場與時間的對話與追尋，她將片刻感受化為可視的形式，邀請觀者在觀看中體會生命流逝的詩意。
⠀
KOO Bon-a presents several works being shown in Taiwan for the first time, including a large-scale painting measuring 260 cm in width. Her long-standing practice explores the fluid relationship between life and time, blending the elegance of traditional Korean painting with refined technique to create vivid, poetic compositions. Layers of color and interwoven brushstrokes serve as both records of existence and traces of time’s continuous flow.
⠀
Using dense Korean paper as her base, Koo cuts, collages, and overlaps materials so that the texture itself becomes a visual language beyond pigment—suggesting the invisible marks left by passing time. For Koo, art-making is a dialogue and pursuit shared with time, transforming fleeting emotions into visible forms and inviting viewers to sense the poetic resonance of life within the flow of time.
⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart @taipeiartweek_ #KOOBonA

【𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓參展藝術家 | 水谷篤司 @mizukanishi 】
⠀⠀
水谷篤司長年以「風景」為創作核心，透過木雕結合多重材質，構築出介於記憶與現實之間的詩意場域。他所關注的，不只是眼前可見的景象，更包括潛藏於記憶深處、被時間改寫或遺忘的風景。這些片段在作品中交織成新的形態，既反映人與環境的互動，也映照內心的變化。
⠀⠀
此次展出以「風景的風景」為題，延續他對感知與記憶錯位的探索——當我們回望熟悉之地，因情感、時間與環境的變化，心中所映現的景象早已不同。水谷試圖捕捉這些微妙的偏移與流動，讓觀者在作品間重新感受記憶的層次與風景的生成，開啟一段介於現實與心靈之間的旅程。
⠀⠀
MIZUTANI Atsushi has long centered his artistic practice on the theme of “landscape,” creating poetic spaces that lie between memory and reality through wood sculpture and the fusion of diverse materials. His focus extends beyond the visible scenery to include those landscapes that dwell deep within memory—altered, forgotten, or rewritten by time. These fragments intertwine within his works, reflecting both the interaction between humans and their surroundings and the shifting states of the inner self.
⠀⠀
His latest exhibition, Landscape of Landscapes, continues this exploration of perception and memory. As time, emotion, and environment transform what we once saw, the familiar landscapes in our minds begin to change. MIZUTANI seeks to capture these subtle displacements and flows, inviting viewers to rediscover the layers of memory and the evolving essence of landscape—a journey that unfolds between the external world and the depths of the human mind.
⠀⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart @arttaipei @taipeiartweek_ #mizutaniatsushi

【𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓參展藝術家 | 水谷篤司 @mizukanishi 】
⠀⠀
水谷篤司長年以「風景」為創作核心，透過木雕結合多重材質，構築出介於記憶與現實之間的詩意場域。他所關注的，不只是眼前可見的景象，更包括潛藏於記憶深處、被時間改寫或遺忘的風景。這些片段在作品中交織成新的形態，既反映人與環境的互動，也映照內心的變化。
⠀⠀
此次展出以「風景的風景」為題，延續他對感知與記憶錯位的探索——當我們回望熟悉之地，因情感、時間與環境的變化，心中所映現的景象早已不同。水谷試圖捕捉這些微妙的偏移與流動，讓觀者在作品間重新感受記憶的層次與風景的生成，開啟一段介於現實與心靈之間的旅程。
⠀⠀
MIZUTANI Atsushi has long centered his artistic practice on the theme of “landscape,” creating poetic spaces that lie between memory and reality through wood sculpture and the fusion of diverse materials. His focus extends beyond the visible scenery to include those landscapes that dwell deep within memory—altered, forgotten, or rewritten by time. These fragments intertwine within his works, reflecting both the interaction between humans and their surroundings and the shifting states of the inner self.
⠀⠀
His latest exhibition, Landscape of Landscapes, continues this exploration of perception and memory. As time, emotion, and environment transform what we once saw, the familiar landscapes in our minds begin to change. MIZUTANI seeks to capture these subtle displacements and flows, inviting viewers to rediscover the layers of memory and the evolving essence of landscape—a journey that unfolds between the external world and the depths of the human mind.
⠀⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart @arttaipei @taipeiartweek_ #mizutaniatsushi

【朝代畫廊即將參展 𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓】
⠀⠀
朝代畫廊將參加台灣年度最盛大的藝術博覽盛事——《𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓 台北國際藝術博覽會》，展位位於藝廊集錦 B35，公眾展期為 10 月 24 日至 27 日。
⠀⠀
今年的 ART TAIPEI 與《台北藝術週》再度聯合舉辦，內容精彩可期。屆時，朝代畫廊將於台北世貿一館展出草間彌生、林餘慶 & 魏杏諭、水谷篤司、具本妸、宋璽德等藝術家的精選作品，誠摯邀請您蒞臨現場，共同感受當代藝術的豐富能量與創作魅力！
⠀⠀
Dynasty Gallery is pleased to participate in ART TAIPEI 2025, Taiwan’s largest and most prestigious art events. Our booth will be located in the Galleries Section, B35, and the public exhibition will run from October 24 to 27.
⠀⠀
This year, ART TAIPEI once again joins forces with Taipei Art Week, promising an exciting array of programs and exhibitions. At the Taipei World Trade Center Hall 1, Dynasty Gallery will present selected works by KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, MIZUTANI Atsushi, KOO Bon-a, and SUNG Hsi-Te. We sincerely invite you to visit our booth and experience the vibrant creativity and boundless charm of contemporary art!
⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart @arttaipei @taipeiartweek_ #yayoikusama #linyuching #weihsingyu #mizutaniatsushi #koobona #sunghsite @linwei.studio @mizukanishi @bonakoo @sitersung

【朝代畫廊即將參展 𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓】
⠀⠀
朝代畫廊將參加台灣年度最盛大的藝術博覽盛事——《𝐀𝐑𝐓 𝐓𝐀𝐈𝐏𝐄𝐈 𝟐𝟎𝟐𝟓 台北國際藝術博覽會》，展位位於藝廊集錦 B35，公眾展期為 10 月 24 日至 27 日。
⠀⠀
今年的 ART TAIPEI 與《台北藝術週》再度聯合舉辦，內容精彩可期。屆時，朝代畫廊將於台北世貿一館展出草間彌生、林餘慶 & 魏杏諭、水谷篤司、具本妸、宋璽德等藝術家的精選作品，誠摯邀請您蒞臨現場，共同感受當代藝術的豐富能量與創作魅力！
⠀⠀
Dynasty Gallery is pleased to participate in ART TAIPEI 2025, Taiwan’s largest and most prestigious art events. Our booth will be located in the Galleries Section, B35, and the public exhibition will run from October 24 to 27.
⠀⠀
This year, ART TAIPEI once again joins forces with Taipei Art Week, promising an exciting array of programs and exhibitions. At the Taipei World Trade Center Hall 1, Dynasty Gallery will present selected works by KUSAMA Yayoi, LIN Yu-Ching & WEI Hsing-Yu, MIZUTANI Atsushi, KOO Bon-a, and SUNG Hsi-Te. We sincerely invite you to visit our booth and experience the vibrant creativity and boundless charm of contemporary art!
⠀
#DynastyGallery #ARTTAIPEI #artfair #contemporaryart @arttaipei @taipeiartweek_ #yayoikusama #linyuching #weihsingyu #mizutaniatsushi #koobona #sunghsite @linwei.studio @mizukanishi @bonakoo @sitersung

歡迎您的光臨！
⠀
邀請您一同參與【牆上的詩：具本妸個展】開幕茶會
💠開幕 OPENING | 2025.10.18 (六) 15:30-17:30
💠展期 DATE | 2025.10.18-12.20
💠地點 VENUE | 朝代畫廊 Dynasty Gallery
🔶藝術家具本妸將出席開幕並親自導覽
🔶本展覽開幕當天參與台北藝術週藝術巴士巡迴活動，歡迎多加利用

#dynastygallery #koobona #soloexhibition #taipeiartweek #朝代畫廊 #具本妸 #個展 #台北藝術週 #ArtInTaipei @bonakoo @taipeiartweek_

歡迎您的光臨！
⠀
邀請您一同參與【牆上的詩：具本妸個展】開幕茶會
💠開幕 OPENING | 2025.10.18 (六) 15:30-17:30
💠展期 DATE | 2025.10.18-12.20
💠地點 VENUE | 朝代畫廊 Dynasty Gallery
🔶藝術家具本妸將出席開幕並親自導覽
🔶本展覽開幕當天參與台北藝術週藝術巴士巡迴活動，歡迎多加利用

#dynastygallery #koobona #soloexhibition #taipeiartweek #朝代畫廊 #具本妸 #個展 #台北藝術週 #ArtInTaipei @bonakoo @taipeiartweek_

【展覽預告 | 牆上的詩：具本妸個展】
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💠展期 DATE | 2025.10.18-12.20
💠地點 VENUE | 朝代畫廊 Dynasty Gallery
💠開幕 OPENING | 2025.10.18 (六) 15:30-17:30
🔶藝術家具本妸將出席開幕並親自導覽
🔶本展覽開幕當天參與台北藝術週藝術巴士巡迴活動，歡迎多加利用
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具本妸（KOO Bon-A）生於韓國首爾，畢業於弘益大學美術學院東洋畫系，並於該校研究生院取得美術學博士學位。她融合傳統技法與當代視角，作品持續探討時間、記憶與風景之間的交錯與層疊。曾於首爾藝術殿堂、OCI美術館、仁川藝術平台、台北朝代畫廊及上海等地舉辦個展，並參與如全南水墨雙年展、香港韓國文化院、桃園市立美術館、北京當代水墨設計雙年展、東京都美術館Art Olympia、印度Swami Vivekananda文化中心、美國Google總部、K11 Art Foundation等國際機構展覽，作品典藏於韓國國立現代美術館、首爾市立美術館、OCI美術館、仁川藝術平台、吳勝禹美術館等重要機構。
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KOO Bon-a is a Korean artist specializing in Oriental painting. She holds a Ph.D. in Fine Arts from Hongik University. Combining traditional techniques with contemporary perspectives, her work continuously explores the layered relationships between time, memory, and landscape. She has held solo exhibitions at major institutions including the Seoul Arts Center, OCI Museum of Art, Incheon Art Platform, Dynasty Gallery in Taipei, and venues in Shanghai. Her work has been featured in prominent international exhibitions such as the Jeonnam Sumuk Biennale, the Korean Cultural Center in Hong Kong, Taoyuan Museum of Fine Arts (Taiwan), the Beijing International Ink Design Biennale, Art Olympia at the Tokyo Metropolitan Art Museum, the Swami Vivekananda Cultural Center in India, Google Headquarters in the United States, and the K11 Art Foundation. Her works are part of the permanent collections of major institutions including the National Museum of Modern and Contemporary Art (MMCA), Seoul Museum of Art, OCI Museum of Art, Incheon Art Platform, and the Muan Oh Seungwoo Museum of Art.
⠀⠀
#dynastygallery #koobona #soloexhibition #taipeiartweek #朝代畫廊 #具本妸 #個展 #台北藝術週 @taipeiartweek_

【展覽預告 | 牆上的詩：具本妸個展】
⠀⠀
💠展期 DATE | 2025.10.18-12.20
💠地點 VENUE | 朝代畫廊 Dynasty Gallery
💠開幕 OPENING | 2025.10.18 (六) 15:30-17:30
🔶藝術家具本妸將出席開幕並親自導覽
🔶本展覽開幕當天參與台北藝術週藝術巴士巡迴活動，歡迎多加利用
⠀⠀
具本妸（KOO Bon-A）生於韓國首爾，畢業於弘益大學美術學院東洋畫系，並於該校研究生院取得美術學博士學位。她融合傳統技法與當代視角，作品持續探討時間、記憶與風景之間的交錯與層疊。曾於首爾藝術殿堂、OCI美術館、仁川藝術平台、台北朝代畫廊及上海等地舉辦個展，並參與如全南水墨雙年展、香港韓國文化院、桃園市立美術館、北京當代水墨設計雙年展、東京都美術館Art Olympia、印度Swami Vivekananda文化中心、美國Google總部、K11 Art Foundation等國際機構展覽，作品典藏於韓國國立現代美術館、首爾市立美術館、OCI美術館、仁川藝術平台、吳勝禹美術館等重要機構。
⠀⠀
KOO Bon-a is a Korean artist specializing in Oriental painting. She holds a Ph.D. in Fine Arts from Hongik University. Combining traditional techniques with contemporary perspectives, her work continuously explores the layered relationships between time, memory, and landscape. She has held solo exhibitions at major institutions including the Seoul Arts Center, OCI Museum of Art, Incheon Art Platform, Dynasty Gallery in Taipei, and venues in Shanghai. Her work has been featured in prominent international exhibitions such as the Jeonnam Sumuk Biennale, the Korean Cultural Center in Hong Kong, Taoyuan Museum of Fine Arts (Taiwan), the Beijing International Ink Design Biennale, Art Olympia at the Tokyo Metropolitan Art Museum, the Swami Vivekananda Cultural Center in India, Google Headquarters in the United States, and the K11 Art Foundation. Her works are part of the permanent collections of major institutions including the National Museum of Modern and Contemporary Art (MMCA), Seoul Museum of Art, OCI Museum of Art, Incheon Art Platform, and the Muan Oh Seungwoo Museum of Art.
⠀⠀
#dynastygallery #koobona #soloexhibition #taipeiartweek #朝代畫廊 #具本妸 #個展 #台北藝術週 @taipeiartweek_

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